The Devil Wears Prada Album and Concert Review

This article will be used to review both the The Devil Wears Prada (TDWP) concert I went to in Minneapolis and their new album Dead Throne. I’ll start off with a quick album review which I will keep short because the album has already been out for two months. Dead Throne, which was released on September 13th of 2011, was the first album Adam Dutkiewicz produced with TDWP. Their previous three full lengths and their Zombie EP were all produced by Joey Sturgis. Anyone who follows the scene also knows Adam Dutkiewicz from successful metalcore band Killswitch Engage. The band only had good things to say about their new producer and you definitely can hear a difference on this album. Although, I would argue that the growth of the band made more of a difference than picking a new producer. I make this claim because the Zombie EP which was produced by their previous producer really marks a turning point for TDWP. They took their sound to an entirely new level of brutality and cohesiveness and only expanded on that with Dead Throne. I’m not entirely sure what caused such a change but I would love to figure out what inspired this immense jump as there was no hint for the forthcoming carnage on their 2009 record, With Roots Above and Branches Below. Even just taking a glance at their album art and their track titles will support my point. The album art for With Roots Above and Branches Below is a lot more “colorful” and “playful” than the covers of the Zombie EP and Dead Throne which I think are much more dark and serious. The band previously had song titles like, “I Hate Buffering,” “Big Wiggly Style,” “HTML Rulez D00d”and “Swords, Dragons, and Diet Coke.” Now they present songs with simpler names. It has been very exciting to hear this accelerated growth from TDWP and watch them morph into a more mature band. I was hoping for a song that would echo that of “Louder Than Thunder” off of With Roots Above and Branches Below, but they didn’t have anything like that on Dead Throne. I find it very exciting when a band slips in a song on the record that is a complete changeup and throw the listener off a bit. A great example of this is Underoath’s “Some Will Seek Forgiveness, Others Escape”. “Kansas” is probably the closest thing to doing that on Dead Throne as it is one of the albums slower songs, but it still remains to hold a level of brutality and darkness. If you liked TDWP’s Zombie EP, you have to check out Dead Throne.

The concert I attended a couple of weeks ago was one of the bigger concerts I have been to in a while. Bands don’t seem to go on these huge tours anymore where any of the bands could be headliners themselves. Every band on this tour was outstanding. It was exciting to see a level of production on the TDWP’s set as most bands these days try to save money because of the recession. They didn’t have too much going on, but just enough to enhance the show. Although the strobe lights sometimes made it difficult to see anything. They also did a great job breaking up blocks of unrelenting songs with slower songs to give the crowd much needed breaks. Front man Mike Hranica was all over the stage and energetic as always. Hranica really understands the 180 degree line that performing on a stage creates and plays the angles very well. He also plays along well with the lights creating perfect silhouettes when the lights brighten and blotch him out. The show was full of energy and the crowd seemed to love the entire show. However, my only complaint about the show would be the crowd itself. Minnesota isn’t known as a tough place to play, but the crowd that night lacked respect to each other and to the bands. But that’s a different article I will be writing later.