Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Tuesday, December 18, 2018
Sunday, April 17, 2016
"Ex Machina" Review
Ex Machina is a damn good movie! I'm sorry we've been distracted by other shiny objects disguised as movies while this gem goes relatively unnoticed. This is one of the best films I've seen in a long time and a film that threatens to enter my all time favorites list. What an embarrassment that it took me so long to watch it. I almost saw it in theaters on multiple occasions, but by democratic decision my friends chose other movies before Ex Machina. We truly missed out.
I should've looked into the film a bit more because then I would've assumed I'd like the movie. Alex Garland wrote 28 Days Later and Sunshine which are 2 movies I can watch anytime on any day. This was his directorial debut and I think he knocked it out of the park. The movie handles philosophical questions about evolution, humanity, The Singularity, and so on. Not only is the movie dense, but it is such a beautiful movie. It's what I wanted my movies to "feel" like. Gritty, yet elegant. Dense, yet simple. Uncomfortable, yet desirable.
The 3 main actors are names we should all get to know too. Their star power continues to rise and I think we'll be seeing much more of them in the future. If we didn't know Alicia Vikander was an actual person, we might've thought she were an actual robot. It doesn't seem fair that Sweden has all sorts great policies on top of producing beautiful and talented women like Alicia Vikander. I think out of all the places I Periscoped, Sweden had the highest concentration of intelligent and beautiful women.
You'll notice that the movie was given an R rating and one of the reasons is for "graphic nudity". I don't think I will ever understand what that could mean. We all have bodies, and when we don't follow the social convention of being clothed, we are nude. There is nothing graphic about it. I have body image issues, and even I know this is stupid. Please go watch this film.
I should've looked into the film a bit more because then I would've assumed I'd like the movie. Alex Garland wrote 28 Days Later and Sunshine which are 2 movies I can watch anytime on any day. This was his directorial debut and I think he knocked it out of the park. The movie handles philosophical questions about evolution, humanity, The Singularity, and so on. Not only is the movie dense, but it is such a beautiful movie. It's what I wanted my movies to "feel" like. Gritty, yet elegant. Dense, yet simple. Uncomfortable, yet desirable.
The 3 main actors are names we should all get to know too. Their star power continues to rise and I think we'll be seeing much more of them in the future. If we didn't know Alicia Vikander was an actual person, we might've thought she were an actual robot. It doesn't seem fair that Sweden has all sorts great policies on top of producing beautiful and talented women like Alicia Vikander. I think out of all the places I Periscoped, Sweden had the highest concentration of intelligent and beautiful women.
You'll notice that the movie was given an R rating and one of the reasons is for "graphic nudity". I don't think I will ever understand what that could mean. We all have bodies, and when we don't follow the social convention of being clothed, we are nude. There is nothing graphic about it. I have body image issues, and even I know this is stupid. Please go watch this film.
Tuesday, April 12, 2016
Underoath Re-Birth Tour Review
On April 6th, 2016 I got to watch UNDEROATH perform live at the Skyway Theater in Minneapolis. It was the first time I've seen them perform live since 2011 (HERE IS MY REVIEW OF THAT SHOW). I don't have an accurate number, but I once backtracked and realized I have seen Underoath perform at least 13 times. One would think this "fourteenth" time wouldn't be so exciting as I've seen the band so many times, but that couldn't be further from the truth. The band called it quits 2013 and I thought I would never see the band ever again.
The show was everything I hoped it would be. Underoath was clearly back because they wanted to be, and you could sense that in their performance. They played what is arguably their 2 most popular albums from front to back. I consider their 2006 album, "Define The Great Line" the gold standard for anything "screamo". I hesitate using label "screamo" because I don't want people to think the album is full of angsty screaming. An honest listening of "Define The Great Line" will show any listener that it is a beautifully conflicted album. It is gracefully melodic, while being brutally heavy. It was painfully dark, while being pleasantly uplifting.
I can't say it was my favorite Underoath show, but that's only because my favorite Underoath show is in a league of its own. I'm not very spiritual, but I had an out-of-body experience at one of their shows without any mind altering substances at play. I think I was just overwhelmed by the power of their music. I doubt I will ever have an experience like that again, so although their latest show doesn't compare to that one very special performance, it was still very good an memorable. I also met a couple of other long time Underoath fans, and people who recognized me from my radio job. Super fan, Brandon Doll, also wanted to share a few words about Underoath.
Here is Brandon's review:
Which brings us to Wednesday night. After a somewhat lengthy stage setup following opening act Caspian, the lights went dark and it was show time. The band members took the stage and immediately ripped into “Young and Aspiring” which sent the crowd into a chaotic frenzy. During the “They’re Only Chasing Safety” portion of the show the crowd was at its most energetic during the singles off of the album, “A Boy Brushed Red Living in Black and White”, “Reinventing Your Exit”, and “It’s Dangerous Business Walking out Your Front Door”. My personal favorite moment from this segment of the show was when Underoath played “Down, Set, Go”, which also happens to be my favorite song off of the album. During the set lead vocalist Spencer Chamberlain stated that it was a song they had never played live before they kicked off the Rebirth Tour. I find that to be incredible because it is the best song off of a phenomenal album in my humble opinion. The only criticism that I can come up with from the entire night occurred during the albums closing track, “Some Will Seek Forgiveness, Others Escape”. The song was played to perfection but for some reason the track was cut short right before the epic breakdown that closes out the album. However, I was able to overlook this small miscue knowing that the best was yet to come: “Define the Great Line”.
The show was everything I hoped it would be. Underoath was clearly back because they wanted to be, and you could sense that in their performance. They played what is arguably their 2 most popular albums from front to back. I consider their 2006 album, "Define The Great Line" the gold standard for anything "screamo". I hesitate using label "screamo" because I don't want people to think the album is full of angsty screaming. An honest listening of "Define The Great Line" will show any listener that it is a beautifully conflicted album. It is gracefully melodic, while being brutally heavy. It was painfully dark, while being pleasantly uplifting.
I can't say it was my favorite Underoath show, but that's only because my favorite Underoath show is in a league of its own. I'm not very spiritual, but I had an out-of-body experience at one of their shows without any mind altering substances at play. I think I was just overwhelmed by the power of their music. I doubt I will ever have an experience like that again, so although their latest show doesn't compare to that one very special performance, it was still very good an memorable. I also met a couple of other long time Underoath fans, and people who recognized me from my radio job. Super fan, Brandon Doll, also wanted to share a few words about Underoath.
Here is Brandon's review:
To say that I was excited to see
Underoath at the Skyway Theater is the understatement of the century. I
purchased my ticket last fall the second that the tour was confirmed. Underoath
has not performed in Minnesota since 2011 and obviously the band has gone
through a lot since that time. All this did was create an insurmountable amount
of hype for a show that was unthinkable as little as a year ago. At that point
I don’t think anyone would have ever dreamed that this band would play together
again.
Which brings us to Wednesday night. After a somewhat lengthy stage setup following opening act Caspian, the lights went dark and it was show time. The band members took the stage and immediately ripped into “Young and Aspiring” which sent the crowd into a chaotic frenzy. During the “They’re Only Chasing Safety” portion of the show the crowd was at its most energetic during the singles off of the album, “A Boy Brushed Red Living in Black and White”, “Reinventing Your Exit”, and “It’s Dangerous Business Walking out Your Front Door”. My personal favorite moment from this segment of the show was when Underoath played “Down, Set, Go”, which also happens to be my favorite song off of the album. During the set lead vocalist Spencer Chamberlain stated that it was a song they had never played live before they kicked off the Rebirth Tour. I find that to be incredible because it is the best song off of a phenomenal album in my humble opinion. The only criticism that I can come up with from the entire night occurred during the albums closing track, “Some Will Seek Forgiveness, Others Escape”. The song was played to perfection but for some reason the track was cut short right before the epic breakdown that closes out the album. However, I was able to overlook this small miscue knowing that the best was yet to come: “Define the Great Line”.
The
band only took about a 5 minute break and immediately rushed back out to kick
off the Define segment with a raucous rendition of “In Regards to Myself”. This
is when the band hit their stride. Everyone appeared to be in vintage form. The
incredibly talented Aaron Gillespie who has quite possibly the most difficult
task in music of simultaneously drumming and singing, looked like he had never
even left Underoath. The crowd and most of all the pit was noticeably more
active for the Define songs. Define is much heavier, more polished, and has
many more breakdowns, which allows for more “moshable” moments. Underoath kept
up the frenetic pace of heavy fast paced metal until they reached the interlude
track “Salmarnir” which finally allowed the crowd to catch its collective
breath. This is when my favorite moment of the show took place. At the end of
this track Min, Myself, and a few of my other pit mates organized a “wall of
death” in preparation for possibly the heaviest track off of Define, “Returning Empty Handed”. The
track began with a Gillespie drumroll and is kicked off with a ridiculous
Chamberlain guttural growl, at which point the bodies were flying everywhere.
Another high point was reached during Grammy nominated lead single “Writing on
the Walls” which is always a crowd favorite.
I
cannot say enough positive things about this performance. It was one of the
greatest concerts I have ever had the pleasure of attending. Obviously anytime
one of your favorite bands plays two full albums you are going to be in store
for a fantastic night, but I was equally as impressed by the passion displayed
by the crowd of all ages. I was shocked at the number of kids in attendance to
see a band that first hit the scene when many of them were possibly still in
diapers.
As for Underoath, uncertainty still lies ahead. At the
completion of this Rebirth tour the band members still have their separate
careers so a new album appears unlikely, but they did tease the crowd with what
sounded like a new exitlude track tacked onto the conclusion of “To Whom it May
Concern”. Even though it appears unlikely, I think we can all agree that a new
album or song would not be out of the realm of possibility. I hope it happens.
Tuesday, March 22, 2016
Amazing Couple To Spend Entire Year Exploring United States
Meet Carl and Anna. They started an amazing project called US ANYWHERE at the start of 2016 where they will explore every state in these United States. You can see some of the photos they took and videos they made here, but you'll want to follow their travels for the remainder of the year.
Introducing US Anywhere from US Anywhere on Vimeo.
Here is my interview with Carl:
Min: Could you please explain what this project is about and what sparked the idea for this project?
Carl: My wife Anna and I are both native Minnesotans. We both grew up camping and have cultivated a love of travel domestic and abroad. But despite being passionate about these things, we’ve had difficulty making time for them in our busy lives. I’m a filmmaker by trade, and have developed a body of work organically by filming projects in my spare time involving friends and nature. These personal projects have led to job opportunities, and I found myself working in advertising, most recently doing work for Minnesota tourism. The idea for this project struck me a couple of summers ago, when my friends and I drove out to Glacier National Park for a backpacking trip. On our way home, I got stuck with the red-eye shift driving through North Dakota. I was white-knuckled as I tried to avoid hitting the seeming thousands of deer- but as the sun started to come up, it dawned on me that North Dakota could be truly breathtaking. I realized that I would love to come back to shoot something. At the same time, I realized that if I could find something interesting to shoot in North Dakota, an oft-maligned state, I could probably find something to shoot in every state. I started doing the math about how long it would take to shoot a short video about a state- and I decided a week would be about right. From there, it works out almost perfectly. If you spend a week per state, it rounds out to almost exactly a year (if you include a week for Washington DC and a week in case anything goes wrong.) The concept of spending an entire year on the road and visiting every state was too compelling to pass up. I told Anna what I was thinking about, and she was immediately on board. We spent the next year and a half saving up and planning before launching the project in 2016. Our aim is to have a great adventure in seeing all of the USA, but to make creative work in the process so that we can bring people (virtually) along for the ride.
M: Were you ever worried this project wouldn't be possible leading up to the start of it?
C: There were a lot of times that we doubted our ability to do something so time-consuming and costly. The logistics alone are so complicated and daunting. We’d never even trailer camped before, and were talking about doing it for an entire year! However, I have a stubborn streak- once I’ve made up my mind that I’m doing something, I’m doing it. It was going to take a lot to prevent us from going- and luckily, we managed to pull it off!
M: What has been the toughest thing about the project so far?
C: We absolutely underestimated how hard it would be to travel so quickly. We knew the week-per-state framework was ambitious, but we didn’t understand just how ambitious until we learned how long it takes to set up and take down camp, and how traveling with a camper has its own unforseen delays (slower speeds, more frequent stops for gas, fewer accessible places, more difficulty parking, etc.). This also makes our logistics a bit trickier, since we want to be flexible- RV campsites are limited and fill up quickly, so we have to be more forward-thinking than we’d like when planning future states. Also, the lack of WiFi is killer! We’d assumed it would be easy to keep connected from the road, since we have such an easy time with it at home (if it’s not at your house, it’s at work, or at a coffee shop, library, etc.) We’ve quickly learned that public wifi can be hard to find when you’re not in a city, and connection speeds are slow to nonexistant at most campgrounds. This has made working and planning tough!
M: What has been the most fulfilling and coolest thing you've seen so far?
C: We took a risk by starting in Wisconsin- the first week in January isn’t the friendliest time to be there by a long shot (especially if you’re camping!) But the gorgeous sunsets in Door County, ice-covered branches and snowy landscapes turned out to be just as beautiful as we’d hoped. Even though we were freezing our butts off, we were experiencing midwestern winter at its best, and we knew the decision to start there had been worth it.
US Anywhere: Wisconsin from US Anywhere on Vimeo.
M: Have expectations changed now that you've been on the road for a while?
C: They definitely have. For one, we’d planned to release videos about each state as we went, weekly- alongside blogging and posting to other various social media. We’ve quickly realized that all of that on top of moving so quickly leaves almost no time for the actual experience of the trip, which should really be the main point! We’ve had to scale back on the videos (for now, it’s still the plan to release a video for every state, but they will be released as I finish editing them, and actual experience will be the focus.) That means I’ll have a fair amount left to edit when I get back, but it will be a fun way to extend the experience of the trip! We’ve also realized that (aside from the northeast) the states are really big! We’ve started to become more focused in our planning. Honing in on specific areas within each state, so we can have more in-depth experiences.
M: Now that you've explored the country a bit, what is one thing, in general, that even citizens of the United States might not know/expect about our own country?
C: The United States is an incredibly accessible place. Even though it’s massive, it can be surprisingly easy to get around. Having grown up in the middle of the country, I always thought of the coasts as being so far away. I had only ever flown to the oceans, but it’s entirely possible to drive there in just a few days. If you get some friends together and take turns driving, you can go anywhere. With the current price of gas, there’s never been a better time.
M: If people wanted to stay in touch, follow your journey, and/or contribute to your journey, how can they do that?
C: We keep our channels up-to-date with lots of photos, fun facts, state recaps, and videos. OUR WEBSITE (USANYWHERE.NET) is a great resource where everything is pooled (and links to our Instagram, Twitter, Facebook, Vimeo and mailing list can all be found there, too). We can be reached on all of those channels, but the best way to reach us is to shoot us an email at us@usanywhere.net! The best way for people to contribute to our journey is to share it with others that might be interested and to pass along their knowledge and suggestions. We rely heavily on input and suggestions from others when deciding what to do in a particular state!
Introducing US Anywhere from US Anywhere on Vimeo.
Here is my interview with Carl:
Min: Could you please explain what this project is about and what sparked the idea for this project?
Carl: My wife Anna and I are both native Minnesotans. We both grew up camping and have cultivated a love of travel domestic and abroad. But despite being passionate about these things, we’ve had difficulty making time for them in our busy lives. I’m a filmmaker by trade, and have developed a body of work organically by filming projects in my spare time involving friends and nature. These personal projects have led to job opportunities, and I found myself working in advertising, most recently doing work for Minnesota tourism. The idea for this project struck me a couple of summers ago, when my friends and I drove out to Glacier National Park for a backpacking trip. On our way home, I got stuck with the red-eye shift driving through North Dakota. I was white-knuckled as I tried to avoid hitting the seeming thousands of deer- but as the sun started to come up, it dawned on me that North Dakota could be truly breathtaking. I realized that I would love to come back to shoot something. At the same time, I realized that if I could find something interesting to shoot in North Dakota, an oft-maligned state, I could probably find something to shoot in every state. I started doing the math about how long it would take to shoot a short video about a state- and I decided a week would be about right. From there, it works out almost perfectly. If you spend a week per state, it rounds out to almost exactly a year (if you include a week for Washington DC and a week in case anything goes wrong.) The concept of spending an entire year on the road and visiting every state was too compelling to pass up. I told Anna what I was thinking about, and she was immediately on board. We spent the next year and a half saving up and planning before launching the project in 2016. Our aim is to have a great adventure in seeing all of the USA, but to make creative work in the process so that we can bring people (virtually) along for the ride.
M: Were you ever worried this project wouldn't be possible leading up to the start of it?
C: There were a lot of times that we doubted our ability to do something so time-consuming and costly. The logistics alone are so complicated and daunting. We’d never even trailer camped before, and were talking about doing it for an entire year! However, I have a stubborn streak- once I’ve made up my mind that I’m doing something, I’m doing it. It was going to take a lot to prevent us from going- and luckily, we managed to pull it off!
M: What has been the toughest thing about the project so far?
C: We absolutely underestimated how hard it would be to travel so quickly. We knew the week-per-state framework was ambitious, but we didn’t understand just how ambitious until we learned how long it takes to set up and take down camp, and how traveling with a camper has its own unforseen delays (slower speeds, more frequent stops for gas, fewer accessible places, more difficulty parking, etc.). This also makes our logistics a bit trickier, since we want to be flexible- RV campsites are limited and fill up quickly, so we have to be more forward-thinking than we’d like when planning future states. Also, the lack of WiFi is killer! We’d assumed it would be easy to keep connected from the road, since we have such an easy time with it at home (if it’s not at your house, it’s at work, or at a coffee shop, library, etc.) We’ve quickly learned that public wifi can be hard to find when you’re not in a city, and connection speeds are slow to nonexistant at most campgrounds. This has made working and planning tough!
M: What has been the most fulfilling and coolest thing you've seen so far?
C: We took a risk by starting in Wisconsin- the first week in January isn’t the friendliest time to be there by a long shot (especially if you’re camping!) But the gorgeous sunsets in Door County, ice-covered branches and snowy landscapes turned out to be just as beautiful as we’d hoped. Even though we were freezing our butts off, we were experiencing midwestern winter at its best, and we knew the decision to start there had been worth it.
US Anywhere: Wisconsin from US Anywhere on Vimeo.
M: Have expectations changed now that you've been on the road for a while?
C: They definitely have. For one, we’d planned to release videos about each state as we went, weekly- alongside blogging and posting to other various social media. We’ve quickly realized that all of that on top of moving so quickly leaves almost no time for the actual experience of the trip, which should really be the main point! We’ve had to scale back on the videos (for now, it’s still the plan to release a video for every state, but they will be released as I finish editing them, and actual experience will be the focus.) That means I’ll have a fair amount left to edit when I get back, but it will be a fun way to extend the experience of the trip! We’ve also realized that (aside from the northeast) the states are really big! We’ve started to become more focused in our planning. Honing in on specific areas within each state, so we can have more in-depth experiences.
M: Now that you've explored the country a bit, what is one thing, in general, that even citizens of the United States might not know/expect about our own country?
C: The United States is an incredibly accessible place. Even though it’s massive, it can be surprisingly easy to get around. Having grown up in the middle of the country, I always thought of the coasts as being so far away. I had only ever flown to the oceans, but it’s entirely possible to drive there in just a few days. If you get some friends together and take turns driving, you can go anywhere. With the current price of gas, there’s never been a better time.
M: If people wanted to stay in touch, follow your journey, and/or contribute to your journey, how can they do that?
C: We keep our channels up-to-date with lots of photos, fun facts, state recaps, and videos. OUR WEBSITE (USANYWHERE.NET) is a great resource where everything is pooled (and links to our Instagram, Twitter, Facebook, Vimeo and mailing list can all be found there, too). We can be reached on all of those channels, but the best way to reach us is to shoot us an email at us@usanywhere.net! The best way for people to contribute to our journey is to share it with others that might be interested and to pass along their knowledge and suggestions. We rely heavily on input and suggestions from others when deciding what to do in a particular state!
Thursday, March 10, 2016
"10 Cloverfield Lane" Review
10 Cloverfield Lane will leave you feeling - Meh.
It's not a horrible movie if you're searching for a sci-fi movie and you've already watched the top tier titles on your To-Watch list. I'm not even sure if we should consider this a sci-fi movie at all. If you loved the first Cloverfield movie and you are going into this one with the hopes that it'll be something similar minus the shaky camera work, you better change your mind set.
With names like JJ Abrams, Mary Elizabeth Winstead, and John Gallagher Jr. attached I really wanted to like this movie. I loved John Gallagher Jr. in Short Term 12 and The Newsroom. Many people already know I adore Mary Elizabeth Winstead because of her beauty and because movies like Smashed (film) and Alex of Venice. I wanted people to see Winstead's and Gallagher's names attached to future movies and feel like they have to see that movie. Even with my bias, the movie fell flat. It was actually John Goodman's performance that helped bolster the movie for me.
I think the movie will ultimately be classified as a sci-fi flick, but it might be more accurate to call it a thriller. I can't say too much without ruining the modest twists and turns, but the most engaging element of this movie was John Goodman's character, Howard. The movie forces you into a love-hate dynamic with Howard, and although the movie ties all the loose ends for you, you and your friends will be able to have a short ethics discussion about Howard. I will give the movie credit for its jump scares. There were two or three times I had to make sure I still had clean underwear. Oh, and did I mention how beautiful Mary Elizabeth Winstead is?
It's not a horrible movie if you're searching for a sci-fi movie and you've already watched the top tier titles on your To-Watch list. I'm not even sure if we should consider this a sci-fi movie at all. If you loved the first Cloverfield movie and you are going into this one with the hopes that it'll be something similar minus the shaky camera work, you better change your mind set.
With names like JJ Abrams, Mary Elizabeth Winstead, and John Gallagher Jr. attached I really wanted to like this movie. I loved John Gallagher Jr. in Short Term 12 and The Newsroom. Many people already know I adore Mary Elizabeth Winstead because of her beauty and because movies like Smashed (film) and Alex of Venice. I wanted people to see Winstead's and Gallagher's names attached to future movies and feel like they have to see that movie. Even with my bias, the movie fell flat. It was actually John Goodman's performance that helped bolster the movie for me.
I think the movie will ultimately be classified as a sci-fi flick, but it might be more accurate to call it a thriller. I can't say too much without ruining the modest twists and turns, but the most engaging element of this movie was John Goodman's character, Howard. The movie forces you into a love-hate dynamic with Howard, and although the movie ties all the loose ends for you, you and your friends will be able to have a short ethics discussion about Howard. I will give the movie credit for its jump scares. There were two or three times I had to make sure I still had clean underwear. Oh, and did I mention how beautiful Mary Elizabeth Winstead is?
Wednesday, January 13, 2016
"The Big Short" Review
I'm on a hot streak, and although that luck didn't carry over to the Powerball drawing, I did catch another fantastic movie. The Big Short will make you confused, it'll make you laugh, and terribly depressed. It is a very important film to watch before this year's election.
The movie shows you the horrendous underbelly of capitalism and deregulation. You see what happens when the greed of our species, a species that mostly evolved during times of scarcity and is hardwired to hoard, is handed a system that allows greed to act without impunity.
The movie moves swiftly and is mostly reckless, much like the financial sector. There are hefty temporal and spatial jumps, but you are never lost. The cuts are quick and disjointed. You are given shots for fractions of a second and the jump cut is utilized often, but all the coverage is worthwhile. There a many scenes shot with a long lens that gives the film a very voyeuristic feeling. The fourth wall is not only broken in this film, but it is knocked over with a wrecking ball and jackhammered to pulp. You are in the movie, and you are an accomplice to the greatest financial failing in the history of mankind.
There is no shortage of names attached to this film. Brad Pitt is not only in the movie, but helped produce it. Christian Bale, Steve Carell, and Ryan Gosling all put on great performances. I have a feeling most people will rave about Carell and Gosling, but it was how Bale handled his character that struck me. His character had very distinct characteristics, and he owned and gave life to all of them. There are no prominent actresses, and I that is only a poor reflection of Wall Street. It seems to me that any institution that is void of a female presence fails to hold any moral standard. For example, religion.
See you at the Oscars, The Big Short.
The movie shows you the horrendous underbelly of capitalism and deregulation. You see what happens when the greed of our species, a species that mostly evolved during times of scarcity and is hardwired to hoard, is handed a system that allows greed to act without impunity.
The movie moves swiftly and is mostly reckless, much like the financial sector. There are hefty temporal and spatial jumps, but you are never lost. The cuts are quick and disjointed. You are given shots for fractions of a second and the jump cut is utilized often, but all the coverage is worthwhile. There a many scenes shot with a long lens that gives the film a very voyeuristic feeling. The fourth wall is not only broken in this film, but it is knocked over with a wrecking ball and jackhammered to pulp. You are in the movie, and you are an accomplice to the greatest financial failing in the history of mankind.
There is no shortage of names attached to this film. Brad Pitt is not only in the movie, but helped produce it. Christian Bale, Steve Carell, and Ryan Gosling all put on great performances. I have a feeling most people will rave about Carell and Gosling, but it was how Bale handled his character that struck me. His character had very distinct characteristics, and he owned and gave life to all of them. There are no prominent actresses, and I that is only a poor reflection of Wall Street. It seems to me that any institution that is void of a female presence fails to hold any moral standard. For example, religion.
See you at the Oscars, The Big Short.
Wednesday, April 1, 2015
My Interview With Nico & Vinz
I didn't know a whole lot about NICO & VINZ before this interview, but the more I listened to their music and looked into them, the more fascinated I was. I love cultures and talking about things I don't know much about, and seeing that Nico & Vinz are from Norway caught my curiosity. I knew I had to ask them a bit about that, but we also talk about their music and how diverse their sound is, and we talked about what is coming up for Nico & Vinz. This is my full interview with Vinz.
Tuesday, March 31, 2015
Short Film: "I Care More"
We made the original cut of "I Care More" back in 2013, but now we have an all original cut with the help of my friend and musician Casey Hjelmberg. There are some disturbing images so VIEWER DISCRETION IS ADVISED. It was pretty much a 48 hour project. We had some spare gear, and a couple of my pals were free, so I wrote something really quickly one evening, filmed the next day, and then edited it.
Monday, October 6, 2014
New Anchor & Braille Songs
Two new ANCHOR & BRAILLE songs have surfaced and despite both tracks sounding like material I wouldn't normally like, I have to admit I enjoy both tracks. I'm a little disappointed the Stephen Christian kind of went this non-organic route because I thought some of his more beautiful songs with Anchor & Braille were his more minimalistic organic songs. But again, these 2 new songs definitely work.
This first track "Fatal Flaw" is a shorty, but a goodie. Again, that fake hip-hop sounding high-hat isn't normally something I like, but it works with everything else in that it sort of sounds like an '80s synth vibe. It sounds like it could've been in the opening credits for "DRIVE".
This next song is called "Detroit Stab".
I should also note that I read that the label Anchor & Braille is working with typically only releases singles for artists. It could mean that there isn't a full-length or EP coming out, and that these could be one-off singles. I certainly hope that this isn't the case, because I am very much looking forward to the progression of Anchor & Braille.
Their first album, "Felt" was good and you could tell that it was Stephen Christian behind the songs, but the songs weren't "full" enough for me. It felt like most of the songs just needed 1 more thing. It's still a beautiful album and something I love to have on in the background from time to time. However, I thought Stephen Christian really flexed his song writing skills when "The Quiet Life" came out. The album is more diverse, it is fuller, and it is just plainly enjoyable.
This first track "Fatal Flaw" is a shorty, but a goodie. Again, that fake hip-hop sounding high-hat isn't normally something I like, but it works with everything else in that it sort of sounds like an '80s synth vibe. It sounds like it could've been in the opening credits for "DRIVE".
This next song is called "Detroit Stab".
I should also note that I read that the label Anchor & Braille is working with typically only releases singles for artists. It could mean that there isn't a full-length or EP coming out, and that these could be one-off singles. I certainly hope that this isn't the case, because I am very much looking forward to the progression of Anchor & Braille.
Their first album, "Felt" was good and you could tell that it was Stephen Christian behind the songs, but the songs weren't "full" enough for me. It felt like most of the songs just needed 1 more thing. It's still a beautiful album and something I love to have on in the background from time to time. However, I thought Stephen Christian really flexed his song writing skills when "The Quiet Life" came out. The album is more diverse, it is fuller, and it is just plainly enjoyable.
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